The court challenges to recover a painting taken by the Nazis in 1939 have been as tortuous as its provenance.
After a lunch of chopped egg and crackers, Claude Cassirer plants his walker on the worn floorboards of his tiny living room, rhythmically inching his way down the hall to his study. It is a short constitutional he takes each day to regard a gilt-framed memento of a lost life of privilege.
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