The protest era's vagabond poet is cited more often than any other songwriter in legal opinions and briefs. His ballads have become models for legal storytelling.
On summer nights in the mid-1960s, while black-and-white television crackled elsewhere in his Staten Island home with news of Southern violence and Vietnam, Bobby Lasnik would stretch out in his bedroom to let the righteous soundtrack of the civil rights movement waft into his impressionable teenage soul.
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